Glass is a study of opposites: ephemeral yet sturdy, resplendent yet lucid, resilient yet fragile. Within the realm of Asian philosophy, glass is a unique spirit.

A household name in Asia for her work as an actor, Loretta H. Yang has embodied 124 characters in her film career.

With a film career spanning 11 years, Chang Yi made his mark as an influential director at the helm of the New Wave of Taiwanese Cinema. His work earned him Best Director accolades from the Golden Horse Awards and the Asia Pacific Film Festival.

To Yang and Chang, glass embodies the Buddhist sutraĦ°may the moment come when I attain enlightenment, the body, even the soul become as liuli; pure, transparent, flawlessĦħ and the poetry of Tang poet Bai Juyi who penned,Ħ°like scattered clouds, the fragility of liuliĦħ. Glass is the absolute manifestation of Eastern aesthetic and philosophy. The impermanence of liuli and Buddhist reflections have offered them solace in their art and life.