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In Keith Cummings’ words, from 1991–3, Bruno Romanelli:
… benefited, like a number of others, from working as Colin Reid’s assistant, and it is easy to see the influences in Bruno’s mature pieces. However, although the technical control of large-scale casting is evident, the uses to which Bruno puts this are every inch his own. Bruno works with a limited range of geometric forms, with limited colour, and a precision of surface that means he relies on the complete control of each element to achieve the austere monumentality of his pieces. His control is absolute, allowing no room for accident or random effects.
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